Remember: The READER Doesn’t Know The Characters Are Okay!

At a few key places in The Water Castle, I really built up the tension – and it works. Nail biter stuff.

The reader is tense, the character is tense…

Hell, I was tense.

(I discovered a little trick, that whatever I wanted the reader to feel, I had to make a character feel. We’re in their heads after all, as readers, so if they are biting their fingernail and creeping slowly holding their breath, we tend to do that, too. I mean, you have to paint it right but that’s a big part of it. That’s also why, if your MC likes/dislikes/trusts/loves/hates another character, your reader will, too – if you allowed the reader to know and like the MC first.)

But

At a few other places that should have had tension, the story didn’t deliver it.

(Yet; it’s the first draft.)

Stacie’s friend is suddenly hauled away by Spanish soldiers from the 1600’s to the dungeon. Sure, Stacie gets nervous, as does the friend, but neither gets super upset.

 

Um… what was I thinking?

 

Two things. One, I know her friend doesn’t get hurt. Because I wrote it. I know she’s okay and not to worry too much.

 

That wasn’t intentional; I was excited to get on to the next scene – where some big time drama was about to happen. (That’s number two, of the two things.) There’s a big cliffhanger ending to that chapter, too. It totally rocks. Stacie… I don’t know. She was in the way. Stand over there; I’ll get to you, Stace.

 

That’s because I know nothing bad happens to Stacie or her friend.

 

I have to remember the reader doesn’t know that, and build it up.

 

That’s why first drafts are shit. But luckily, we get to make second drafts. In that version, I’ll add the necessary emotion, and then the big drama scene will be even bigger.

 

What are some of the mistakes you’ve caught between your first and second drafts?

.

Dan's pic
Your humble host.

REBLOG me! Or SHARE this post on Facebook and Twitter! See those little buttons down below? Put on your glasses. There they are. Click them. The FOLLOW button is now in the lower right hand corner.

 

Got a QUESTION? ASK IT! Hit the Contact Me button and I’ll see what I can do. (I have lots of smart friends.)

 

Dan Alatorre is the author of several bestsellers and the hilarious upcoming novel “Poggibonsi: an italian misadventure.” Click HERE to check out his other works.

Don’t Be So Dramatic! Or DO. Dramatic Irony For Fun And Profit

Your humble host.
Your humble host.

Dun Dun Dunnnnnnnnn! DRAMATIC IRONY!

Which is what, exactly?

Beats me.

But I have smart friends, and one of them, Allison Maruska, bestselling author of The Fourth Descendant, recently posted on her blog about ways to use Dramatic Irony to increase tension in your story.

See, it’s all ball bearings nowadays, guys tension, guys! And if we can throw in a few additional tension-enhancing elements, it helps the story a LOT.

fletchBy having a discussion about this with Allison, my critique partner (to learn more about the value of critique partners, click HERE), I realized that (A) I had a few places I could add dramatic irony in my current story and (B) it was probably set to happen in  few upcoming scenes, and (C) I had just written a scene where it basically had just happened! I just didn’t realize a scene could be enhanced that way, so I would have/nearly missed the chance! It was 90% there already, it just needed a tweak.

Bestselling author, friend and critique partner Allison Maruska
Bestselling author, friend and critique partner Allison Maruska

She helped me see the dramatic irony light, which will make those passages in my story a lot more fun for readers.

(If you’d like to do a guest post, hit the Contact Me button and let’s pick an educational topic for you to enlighten us on!)

.

Here’s Allison explaining the whole dramatic irony thing as only she can.

Enjoy. I did.

.

Have you read a story where the character knew everything that was going on and merely went through a checklist to solve the problem?

I certainly hope not, because that would be boring as hell.

No matter the genre, we read stories to see how the main character emerges victoriously (or not). Does the detective solve the crime? Does the waitress capture the heart of the famous patron? Will the elf/goblin find the mystical gem and save the kingdom from certain annihilation?

If the character knows in the beginning how to conquer the challenges, there would be no story. In a typical narrative, the characters don’t know what to do, and neither do we, the readers. Tension arises through conflict and complications and the unknown. Include those, and you’re more likely to write a page-turner.

outhouse-irony
Credit: Jokeroo.com

But if you want to turn your tension up even more, throw in some dramatic irony.

*insert collective groan as everyone remembers their high school literature classes*

Stay with me. Do this right, and your book will keep people up at night. Yay for creating drowsy drivers!

Dramatic irony happens when the audience knows something the characters don’t. Instead of exploring the dark cave with the MC and discovering the monster with him, we know the monster is there and brace ourselves for when the MC finds it. Dramatic irony causes readers/viewers to do this: Don’t do it!!

Or if we’re writing a romance, maybe this: Go for it! He likes you!!

Yes, everyone studied dramatic irony in high school. No one remembers, because high school literature classes have a magical gift of taking something interesting and turning it into a snore fest. Take, for example, the most famous example of dramatic irony: Romeo and Juliet.

We were all forced to translate Shakespearean and read this classic. It’s easy to tell who did their homework. Those who think it’s a basis for all love stories did not – unless they think all love stories should end in a suicide pact.

But it wasn’t really that, was it? Juliet took the “look I’m dead” potion, but Romeo thought she was really dead. We knew more than Romeo, and we watched in horror as he offed himself in despair…

To continue reading, please click HERE

.

Your humble host.
Your humble host.

REBLOG me! Or SHARE this post on Facebook and Twitter! See those little buttons down below? Put on your glasses. There they are. Click them. The FOLLOW button is now in the lower right hand corner.

Got a QUESTION? ASK IT! Hit the Contact Me button and I’ll see what I can do. (I have lots of smart friends.)

Dan Alatorre is the author of several bestsellers and the hilarious upcoming novel “Poggibonsi: an italian misadventure.” Click HERE to check out his other works.