Kinda makes sense, but you’d be surprised at how many don’t do that.
Kinda makes sense, but you’d be surprised at how many don’t do that.
If you didn’t enter yet, why not? 1000 words shouldn’t take very long, and you know you need the practice.
You can do that.
What do I see holding up people’s stories? Initially, we author types take a while to get the story going, to get to the interesting part.
We have a great idea and we feel we have to bury it by adding a bunch of backstory first, for fear the idea won’t make sense if we just start.
Usually, we can start at the interesting stuff and add back the things we need from the backstory, but do them later, and in bits and pieces.
That’s hurting you, gang.
That’s a big no-no.
GRAB your reader on page one, in the first paragraph.
In the first sentence, if possible.
I’ve been reading your Word Weaver stories for a while now, and editing your books, and critiquing your essays, and working with you in my Private Critique Group – so this 1000 word challenge is designed to help you where you need it most. (TIPS for winning a writing contest HERE)
Get to the point of your story quickly.
Yes, one of those was a link to my book. Calm down. It’s a dollar.
(More after this quick ad for a book series you should totally buy)
“As I read, I moved from wanting Charli to be my aunt, to wanting Charli to be my best friend, and finally to wanting to BE Charli. She’s delightful, warm, honest and fun.”
– Julie C. Gardner, author of Letters for Scarlet
Click HERE to get your copy now.
A very short story. For this contest, 1000 words.
It doesn’t need a tidy ending, either. Leave it as a cliffhanger. That’s okay. This is about getting up and running quickly.
1000 words, not counting your name and the story title. NO PROLOGUES, excuses or explanations!
I’ve given you some examples of how to do this.
Writing short stories helps you get up to speed quickly in your novel writing. Look at Game Of Thrones. The opening (prologue) of Book 1 reads like a short story, hinting at stuff but totally grabbing the reader.
The contest entry period runs from from May 13, 2018 – May 27, 2018 at midnight Eastern Standard Time.
If you already wrote something, hey, you’re ahead of the game again!
I will give you the Dan Treatment of your 1,000 word piece, just like I do in my private critique group. Don’t worry, I’m pretty nice and very encouraging. Most people like my crits. Not all, though. Some people are just babies.
YOUR STORY DOES NOT HAVE TO BE 1000 WORDS.
It can be shorter. If you get it in 750, you’re good to go. (This isn’t Carrot Ranch.)
Gang, this is a HUGE prize package!
THE WINNING AUTHORS WILL GET A PROFILE DONE, TOO
On the start date of the contest, May 13, 2018, and in all contest announcements, I will be showcasing our very generous First Prize Sponsor and all other sponsors and door prize sponsors. YOU CAN BE ONE!
Contact me and tell me you wanna be a sponsor, and YOUR BOOK (or your writing-related product or service) will be featured prominently throughout out contest.
Yes. yes it is.
NO LIMIT ON ENTRIES BY ANY ONE PERSON. You wanna enter 10 stories? Pay 10 fees. I’m totally okay with that.
You must enter an original piece of your own writing and pay the entry fee. Please don’t exceed 1000 words because you’ll be automatically eliminated from winning (but I’ll still critique your first 1000 words because I’m a nice guy). You can do it. Entries can be as short as you want. FEEL FREE TO USE A SECTION OF YOUR UNRELEASED BOOK. (That’s what I’d do.)
THEME: NO real “theme” per se, but your story must incorporate DIALOGUE and ACTION of some sort. Don’t feel too limited. I’m pretty loose with this aspect. Wanna have some insights into what I like? Check out some winning entries from prior contests (April, July and November) and not just the first place winners.
All entries must be submitted on or before midnight Eastern time on May 27, 2018. THAT’S ABOUT TWO WEEKS. It’s okay to enter early, but not late. There is NO restriction on genre. Go crazy. You can have love in your psycho thriller. You may submit a chapter or passage from your book if you so desire (I would – this is great publicity), but it should be an unpublished work.
You MUST submit your entry via the Contact Me button and pay your $10.00 entry fee in UNITED STATES CURRENCY (which means some of you will need to do a little math with the exchange rates), via PayPal. (That’s the U. S. link; you will need to use the one that works for your country by doing a quick internet search for PayPal and creating an account. It’s free and easy, trust me.)
Please use the PayPal “friends and family” method to send your fee to email@example.com
PLEASE SEND A WORD DOCUMENT (WordPress text and PDFs mess up the formatting). Simply send me a message using the Contact Me button saying you want to enter and I’ll email you back; from there you’ll be able to attach your piece. IF YOU DO NOT GET A REPLY WITHIN 24 HOURS, ASSUME AN EMAIL SCREW UP AND EMAIL ME AGAIN. (Not using Word? Attach it in whatever you used. If there’s a problem, I’ll let you know. But please try to use Word, okay?)
Void where prohibited. ALL entries will be subscribed to my email list. Don’t worry, I won’t spam you. (I don’t know how.) A lot of the entries’ email addresses don’t get on the list because it’s work and I’m lazy. Maybe you should save me the trouble and just sign up yourself, okay? Winners will be notified here on the blog in a big announcement, and they will be contacted by email, either by me or by the sponsor donating the prize, to make arrangements to get their prize – that might include a mailing address to deliver a paperback to. Winners who live outside of the country of the sponsor whose prize they won may be limited to a prize that can be emailed or sent electronically, like an eBook, audio book, PDF, or Amazon gift card. You still get your work published here, and the profile, etc., if you win those things, but sorry; mailing a paperback from here to Canada and other places is super expensive, so we’re letting you guys into the contest but we have to limit the costs that way. I’m sure you understand. NO LIMIT ON ENTRIES BY ANY ONE PERSON until our preset number is reached. You wanna enter 10 stories? Pay 10 fees. By entering you agree to all this stuff and that I pretty much get free reign in selecting the winners and everything else but it’s probably gonna be stuff that appealed to me. Typos matter but content matters more. The door prize winners will mostly be by random drawing and I’m not above awarding stuff to a really great fourth place entry. Or not.
unless I get an overwhelming amount of entries, and then I’ll delay that part but trust me you’ll know way in advance because I’ll be whining about it here on the blog.
Your friends need to know about this contest, too.
See those little buttons down below? Put on your glasses. There they are. Click them.
Dan Alatorre is the author of several bestsellers and the amazing paranormal thriller “An Angel On Her Shoulder.” Click HERE to get your copy of Angel – FREE on Kindle Unlimited!
Available in paperback format, too!
About two years ago, my on-line writer friends and I decided to move from critiquing each others works online and create an internet show about author topics.
We ultimately ALL THREE became presenters at that very same conference a year later – but the value of attending that first one wasn’t lost on me or my friends.
I was expecting them to say the FWA conference was more geared towards newer writers. It is. That’s why, as experienced writers, we applied to and became presenters the following year. (Not just because anybody can, but because we had learned things over our writing years to share to newer writers.) I will be presenting again this year.
Writers need to interact with their tribe.
We writers tend to be solitary creatures, and most of us are happy to stay that way. But in the interest of developing our craft and moving forward in our chosen careers, we have to get out there and talk to other writers. Network. Find out what works for them. Doing so can bring focus to your own goals – so know what those are going in! It can be figuring out what publication path to take, how to find an editor, how to develop a story, or how to increase sales, among a myriad of other possibilities.
The bottom line is this: even if all of the workshops were boring or beneath you or spoken in a foreign language, there is value in connecting with others. We don’t work in a central place like other professions. This is a chance to do that. Connect and learn from each other.
– Allison Maruska (emphasis mine)
By the time the end of the weekend rolled around, I found that I benefited greatly from the very act of immersing myself in author culture. As writers, we are responsible for plugging our own work. At first, we’re the only person who CAN. It’s hard in the beginning. But, when you surround yourself with like-minded authory individuals . . . it gets easier. Because of the conference, I was able to identify a weakness–talking about Old Souls–and overcome it. I learned the importance of talking about my book with finesse…
Looking back, I don’t think attending a writers conference is crucial to authorly growth. But, talking to other writers is 100%, absolutely essential. It’s important to surround yourself with people who have attained the kind of career you want. So, find a place where you can submerge yourself in a pool of writerly kinship.
– J. A. Allen (again, emphasis mine)
This past week or two, after presenting at a FWA “Focus Day,” I’ve gotten several requests for additional information from people I met there. About six now, I think.
I’m happy to help.
Here’s the one in October, which I’ll be presenting at again this year, but if you can’t come to Florida (and really, if you can’t, you need to rethink your priorities) then find one in New Orleans or California Wine Country. Get to one that’s a Focus Day or even an online webinar.
Jenny, Allison – let’s find another one to go to! Anne Marie, what’s happening in ‘Nawlins soon?
And seriously: writing doesn’t have to be a solitary experience. Use the tools that are available to you and learn all the things faster.
This should be good.
I worked with an older guy who once clipped his fingernails after lunch. We shared a work space, like a table, so nail fragments were going everywhere. I told him to stop or do it in the restroom or something but not on our work space. He was surprised. I swear he was gonna take his shoes and socks off next and start in on his toes.
Post your answer in the comments section below – and have fun this weekend!
And hey, I made them, too.
Which is why I’m helping you not make them.
Dr. Glynns stopped with his cane just outside the open doors. “There you are.” He sounded irritated and he was looking at Brandi. “The paperwork is waiting. Come back to your office and get started, or it will never get done.”
What’s that sound like? Hmm…
The crutch word LOOK
Possible substitutions for LOOK in this example: Glaring, frowning, scowling…
Dr. Glynns and his cane stopped outside the lab room door. “There you are.” A scowl etched itself onto his face. He narrowed his eyes. “When you’ve finished wasting time on this little tour, your paperwork will be waiting—if that’s all right with you, Miss Waltrey.” The old man turned and shuffled off, grumbling to the hallway. “It’s not going to do itself, you know.”
Write in such a way that the reader can’t help but get the tone. That may mean adding a line or two, or changing the initial tone from irritated to more sarcastic, but when adding a frown or scowl, it’ll usually deliver the overall impression of what you wanted.
Wanna get personalized tips like this for your story and take it to the next level? Check out my Private Critique Group.
And the less your reader expects it, the more surprised they’ll be – and the more sudden your scene will read. So set it up that way. Let readers think one thing and do the other without warning. Don’t announce it with “suddenly.”
Get A Is For Action today for 99 cents, part of Dan Alatorre’s Tips For Better Fiction Writing series.
It sounds like a cliche but I see it over and over, so maybe it’s true. No, it IS true.
Mind = blown.