Oh, YEAH? What Do YOU Know?

Flip a coin?
Flip a coin?

How do you know whose opinion to take about your writing?

I have many critique partners. Some of them, I use all of their advice; others, I use almost none of it.

(We recently discussed critique groups HERE)

How do you decide – whether you’re looking at 10 different opinions or five or two – which ones to utilize and which ones to ignore?

It is not as easy as it sounds.

A talented writer might give you great suggestions that you ignore! A schmuck might tell you stuff that you use, messing your story up even worse!

I use one rule.

Wow, this writer is clueless!
Wow, this writer is clueless!

What is their writing like?

We may not be able to paint a great painting, but we know the art we like. Start there.

Feedback from a bona fide source is good feedback unless the artist is deranged (and you’d figure that out over time).

When someone is reading your writing, especially if they are reading a chapter at a time, you don’t know where their mind is. You don’t know where they’re coming from. You don’t know what jokes they’re getting and which jokes they’re missing.

sample responsibly.
Please sample responsibly.

On the other hand, if you have samples of their writing to read, you can say, “Oh, I think this is funny; oh, that was poignant; oh, that was very astute.” You will learn what they understand by reading their writing.

As a result, if you don’t understand anything they’re writing about, it’s fair to say their interests and their point of view and their mindset are different from yours.

If you really get to know them and you just love what they are write, it’s fair to say you’re on the same page.

As your palate grows, you’ll come to appreciate finer writings, just like people enjoy white wine and learn to appreciate deep reds, or people acquire a taste for sushi or whatever. Once upon a time, Jack and Jill rocked your world. Now, not so much. Continue to develop your literary tastes by reading new things and expanding your reading universe. That’s the benefit of the “read a lot part” of “read a lot, write a lot.”

And this is where the tricky part comes in.

You’re writing to an audience, but you don’t necessarily know the spectrum of intelligence and humor understanding and emotional viability of that audience.

I may have an audience out there...
I may have an audience out there…

Or do you?

Well you can, or you should.

You should write to YOUR audience.


You should write to – hopefully – maybe just one person.

We have talked about that before (HERE and HERE), but if you are writing to a specific muse, or a generic combination high school friend (it’s really four people merged into one), or a nondescript middle-age woman in her 40s with grown children; if you are writing to that one person, that doesn’t change.

In your mind, that person gets the jokes and understands where you are emotionally and comprehends what you’re bringing to the table.

Ooh, THAT's a good idea.... and that... and that...
Ooh, THAT’s a good idea…. and that… and that…

You don’t have to change it, then, based on what other critiques say. You just have to hone it.

For example, certain of my critique partners totally get all the jokes. So when they don’t, I know I’ve made a mistake.

I know they get the jokes because they make comments indicating they do, and because when I read their stories I get their jokes.

And I’m just using “jokes.” It could be anything. Emotional level. Skill level. Descriptions. Whatever.

So I’m using “jokes” here but it could be the way they described a cloud.

In the end, if I’m satisfying the three or four people that I really rely on, I don’t really care about the other seven who read it.

Oh, I care about them all, just not as much. I went them all to be happy and I want them all to enjoy the book, but the fact is: if I don’t like westerns and my friend writes a Western, I’ll like it because it’s my friend’s, not because I like westerns.

If I have a friend who doesn’t like sci-fi, she might read my sci-fi story because it’s mine. Because she likes my writing, not because she likes sci-fi. So her comments about the sci-fi stuff may be slightly less valuable than somebody who really loves sci-fi. Especially if I’m writing for a sci-fi audience.

Your story when you try to please everyone.
Your story when you try to please everyone.

And that’s the key. We are writing to a specific audience and we’re going to market to that specific audience. You don’t want to write one word of a book that is made to be loved by the world. You can’t. A book like that appeals to no one.

The book that you write to one person – when you’re very specific, when you connect – that appeals to everyone.

I know it’s the opposite of what you think, but it’s the reality of the situation.

Got it, now?
Got it, now?

Share it with like-minded people and draw on the confidence that becomes yours – because you earn it. Let your confidence grow and thrive. Suddenly you don’t care what so many people think. The opinion that matters most is the one you own.

Who do you trust with your stuff?


Got a QUESTION? ASK IT! Send it as a comment to any post or hit the Contact Me button and, you know, contact me. I’ll see what I can do. (I have lots of smart friends, too.)

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Your humble host.
Your humble host.

Dan Alatorre is the author of several bestsellers and the hilarious upcoming novel “Poggibonsi” – yeah, we know. We’re trying to convince him to change that title – check out his other works here http://www.amazon.com/Dan-Alatorre/e/B00EUX7HEU/ref=sr_ntt_srch_lnk_1?qid=1425128559&sr=1-1 and check back often for interesting stuff.

Published by Dan Alatorre AUTHOR

International bestselling author Dan Alatorre has 17 titles published in over a dozen languages. From Romance in Poggibonsi to action and adventure in the sci-fi thriller The Navigators, to comedies like Night Of The Colonoscopy: A Horror Story (Sort Of) and the heartwarming and humorous anecdotes about parenting in the popular Savvy Stories series, his knack for surprising audiences and making you laugh or cry - or hang onto the edge of your seat - has been enjoyed by audiences around the world. And you are guaranteed to get a page turner every time. “That’s my style,” Dan says. “Grab you on page one and then send you on a roller coaster ride, regardless of the story or genre.” Readers agree, making his string of #1 bestsellers popular across the globe. He will make you chuckle or shed tears, sometimes on the same page. His novels always contain twists and turns, and his nonfiction will stay in your heart forever. Dan resides in the Tampa area with his wife and daughter. You can find him blogging away almost every day on www.DanAlatorre or watch his hilarious YouTube show every week Writers Off Task With Friends. Dan’s marketing book 25 eBook Marketing Tips You Wish You Knew has been a valuable tool for new authors (it’s free if you subscribe to his newsletter) and his dedication to helping other authors is evident in his helpful blog.

6 thoughts on “Oh, YEAH? What Do YOU Know?

  1. You have a point about checking a CP’s writing to see if your skills/personalities/whatever align. But I’ve had a couple CPs who offered critiques that were quite useful, while…let’s just say we weren’t on the same plane when it came to the actual writing. Some people have a knack for editing and helping others develop their stories, but their own writing isn’t up to that same level. Writing and editing are two different skills, and like all skills, no one is a master at all of them. That’s why we have CPs! 🙂

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