What’s The Role of a BETA READER?

img_2351-19If I do my job properly as a writer, I have put together what in my head is a relatively cohesive, interesting story.*

That’s it. In a nutshell, that’s my job.

The role of a BETA READER is to:

read the finished manuscript (book, story, whatever) before it is released to the general public and give the author feedback.

That’s it.

The Beta can do as much or as little as they want, or as much or as little as the author asks.

Pretty blurry job description, isn’t it?


Let’s go back to me and my job as a writer for a sec. Occasionally, I am wrong about the whole “cohesive story” thing. Sometimes we writers just write stuff that makes great sense to us – and no sense to anyone else.

Ooh, he’s so metaphysical.

Or, maybe he’s freaking obtuse.

It’s hard to tell sometimes. The old barn was a metaphor for the MC’s marriage, but the wrecked car wasn’t. Unless you want it to be, dear reader; then it absolutely was.

Assuming that we didn’t go completely bananas and write some fog of a diatribe, my critique partners will point out glaring errors in passive voice or grammar or missing words or missing quotes. That’s their job.

So when I’m done listening to what my Critique Partners have to say, I fold in their suggestions (or ignore them at my peril) and then I give the book one more look and decide it’s ready for the general public.


That’s where the beta reader comes in.

There’s nothing like sending your manuscript out to thousands of people and having them write back and say you had a typographical error in the first friggin’ page, or ask how the butler could do it when he wasn’t even present when the murder happened!


The point is, your critique partners are really looking at your story a little differently from a regular reader. CPs will probably enjoy your story, but they are not reading it only to enjoy it. They are reading it to make sure it makes sense, to make sure that flows, to make sure that there’s a good pace, to make sure there’s no grammatical errors, to make sure your quotes and commas and words are all properly in place and spelled right. What they’re not doing is saying, “Let me just pick this story up and read it cover to cover like a regular would. Not their job.

That’s the role of the beta reader.

To simply read the story and give you whatever feedback they happen to assess from it.

For some, it’s going to be, “Hey there were no typos, there were no grammatical errors, it’s good to go.” For others it’s going to be, “You didn’t develop these characters enough in the beginning, so I don’t care about them enough halfway through when you start killing them off.”

In my head, my story flows pretty smoothly – I knew what I meant to say with just about every chapter, every paragraph, every sentence…

Maybe not every word, but, you know; I do my best.

So when I have all my chapters together, I will release it to a second set of critique partners – who get to read it more like a book and less like a critique.

They are pretty happy with that, those CPs who got to do it that way. They’re almostbeta readers

The job of the beta reader for me is just to read it make sure that what I intended to be there is there. If they see errors, point them out; otherwise, “Good story, it worked/did not work for me” – and not every story is gonna work for every reader. We know that.

So for me the job of the beta reader is basically… whatever the beta reader thinks it is.

Some look for grammar, some look for content, some look for jokes.

I’m happy with all that.

If they all write back and say, “This is the best thing that ever read!” I’m good with that, too.

* My real definition is: a well told story with interesting characters told in a compelling manner, but who’s counting.

WANNA BE A BETA for my latest project? Click CONTACT ME and say so!


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Dan Alatorre is the author of several bestsellers, including the fast-paced murder mystery Double Blind.

Check out his other works HERE and check back often for interesting stuff.

Published by Dan Alatorre AUTHOR

USA Today bestselling author Dan Alatorre has 50+ titles published in more than 120 countries and over a dozen languages.

9 thoughts on “What’s The Role of a BETA READER?

  1. Yes I absolutely want to be a Beta Reader for your latest book. I read the first chapter and I’m hooked! Can hardly wait! All the best, Charlene

    Sent from my iPad


    Liked by 1 person

    1. You network. When I first started out, I created a blog and Twitter and Facebook. Of course I had an online critique group. When I wanted beta readers, I asked everybody -except for my personal friends and family. So I bought a inexpensive Facebook ad that was aimed at people who had “reading“ as one of their hobbies. I think I spent $10. I posted on my blog but by then my blog had a decent following, and I posted on Twitter but Twitter didn’t give me much. In the end, you only need a few. If you can get three or four people to read it for content, you’re probably going to be fine. So I started with that and then when the book came out I keep kept growing my following on my blog. So many of my beta readers came from my blog. These days they come from my newsletter/readers club, which is still largely people who were on my blog and who agreed to beta read for me along time ago. They still do. Then I ask if they know anybody else who would like to read it. If you ask five people who they know who might want to read it, three of them will send they don’t know anybody in two of them will tell you two were three other people. Then you ask those people who they know. So ultimately my list of beta readers got to be about 50 people, but then it was a matter of timing. Was it a genre they liked? Were they available to read it for me and get back to me with notes in the timeframe I required? Then, some (about 1/3 of them) would agree to do it and not be able to for various reasons. Life happens. So out of 50 I probably got 12 on a regular basis, but different people each time, and that was OK because we only really need three or four to do a good job for you.


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