Flash Fiction Challenge (Kinda)

Sometimes the simple ideas are the best. And the most fun.

(It’s Monday. We’ll keep it easy.)

00000 unimpressed shark 17 FFC sleep.jpg


Today’s Flash Fiction Challenge: put the title of your latest book or current work in progress (short stories count, Jenny) into this anagram maker and see what it comes up with.

Post both in the comments section.

Click HERE for the anagram maker. It’ll give you a list. Scroll through and find your fave.



3 Ways To Show A Text Conversation In A Book – And One Right Way

your humble host

We know how to write a sentence: noun, verb… a period at the end.

We know how to show dialog when our characters speak.

Dan scratched his head. “We do?”

“Yep,” she said.


But it turns out, we DON’T know how to depict a text conversation in a story! I checked.

There’s NO uniform way.

Oh, The Chicago Manual Of Style (CMOS) has a suggestion in the Q&A – but it sucks.

And other authors are trying to nail it down, especially the YA writers. Or they write around it.

Look, anybody can do this:

“how r u,” he texted;

“ha ha Daddy I can’t believe you use ‘r u,’” she replied.”

AWFUL. You wouldn’t use so many tags in a conversation showing speech, or regular conversational dialog, but here it’s supposed to be okay?


No, no, no, no, no, no.

I (accidentally) used several styles of showing text conversations in original drafts of Poggibonsi. Turns out, I didn’t do such a good job after all. My recollection at the time was, and still is, nobody else could say there was a definitive way to do it. I thought that may have changed by now. Nope.


That means if we come up with a good way, we can set the standard. I’m all for inventing a way. (Then we get to name it after one of us, like they do when they discover a new star.) From looking at the examples below, it seems like LOTS of beats works best. Funny if that’s the way to go.

What happened in Poggi when it was in my critique group was, everybody ended up saying just be consistent. But read these, see what jumps out at you, and go from there.

I think this:

  1. Definitely italics

  2. Beats

  3. Tags if you have to.

  4. Keep the text conversation short.

That’s it.

Probably can’t do lengthy text conversations in books without one of #2 or #3. (To me, italics are a must.) It just doesn’t appear smooth or read smooth if you don’t. But like I said, whatever we come up with can be the standard.

Here are some Texting conversations in stories

Example 1 (Names in all caps. My recollection is NOBODY liked this, the ME/SAM all caps stuff), from my book Poggibonsi.

When I went back into my office, there was a new Real Time message from Sam.

I know you’re still up looking at my amazing reports on Italy. Go to bed.

I smiled. The lady knew me too well.

I messaged back. Can’t sleep.

Her reply was immediate. Too excited about Italy?

ME: Among other things.

SAM: You’re lucky. There’s a lot to do.

ME: Is there? Mattie has us going to Rome for three days. Rome should be about a three hour trip. Coliseum, Parthenon, Vatican, done.

SAM: You mean Pantheon. The Parthenon is in Greece.

ME: Two hours, then.

SAM: Gee, you have high standards. What about museums, aquaduct?

ME: Googled all that already; I’m good. But gotta keep the Mrs. happy.

SAM: Happy wife, happy life!

ME: Guess so.

SAM: Okay. U seem tired. Remember you have a doctor’s appointment tomorrow.

ME: Thanks. Talk later.

I turned off my office lights and grabbed the remote to watch Sports Center, rocking way back in my chair. The story about Deidra and Alex really weighed on me. Twenty years of marriage, gone. Now the poor schmuck doesn’t even live in his own house, and only sees his kids every other weekend.

Example 2 (no quotation marks, capitalized names e.g. Me/Sam. This was the BEST received on CC and other places but probably still needs to lose the Me/Sam stuff.) Also from my book Poggibonsi.

Not drinking yet, but awake. Maybe I could get an update. I sent her a text. What’s up?

Her reply was quick. How are you liking your little town in Tuscany?

Me: If the town is anything like the wine, we may never leave.

Mattie was enjoying her Chianti. “Tell Sam the reds are amazing. I’m bringing her some.”

I relayed the message. The Asti is pretty good, too. I’m on my second bottle. I was all thumbs when I texted on a cell phone sober; by now I was barely coherent. Thank God for autocorrect.

Sam: It’s more fun texting with you when you’ve been drinking.

Me: I bet. I don’t care. I’m on vacation. Plus, Italian TV is better when you’re drunk.

Sam: Why are you watching TV? Aren’t there more interesting things to do in Italy?

Me: When you see Italy with a four year old, you tour at a four year old’s pace. That means looking for Spongebob on the satellite, who is actually funny in Italian. But Sienna just went to sleep and Mattie is still planning our sightseeing, so, I’m watching the “TopCrime!” channel.

Sam: Got it.

Sam seemed happy to see Mattie and I enjoying ourselves.

I was, too. It had been very satisfying to sit back on the couch and just enjoy the peace and quiet with my family and a nice fire. Mattie switched from her computer to mine, so we could have one charging on the lone converter we brought.

Example 3 (some quotation marks – this was also not popular. They didn’t like the quotation makes in the texts) again, from my book Poggibonsi.

I sent her another text. Try sending them again in the morning. Maybe the winds will be gone and I can have a good signal then.

A second later my phone pinged with her reply. Okay.

I chuckled to myself. “Besides, I didn’t spend half the night getting my wife looped just to text with you, Sam.”

Sam: “Okay, lovebirds. I can take a hint.”

I clicked off my phone’s ringer and looked at my computer sitting on the coffee table. Mattie had left it open and on, but plugged in and charging.


My conclusion at the writing of Poggi was something along this line would be best:

I sent her another text. Try sending them again in the morning. Maybe the winds will be gone and I can have a good signal then.

A second later my phone pinged with her reply. Okay.

(But you can see – that many beats will get old quick.)

I looked at over a dozen sources and most do stuff that’s avoidance, e.g.:

I looked at my phone it was Dora texting me. “Where r u?”


Others did the all caps names, or just names and colons, using italics and/or quotation marks

Dan: “I don’t like this.”

Allison: “Me, neither.”


DAN: This kinda sucks, too.

ALLISON: Damned internet.

CMOS’ answer was BS, and since editors pray to that bible, that’s where they’ll come down. “…just use quotation marks. It’s never been considered necessary to have a separate style for phone conversations, e-mails, or other types of communication, and texts are nothing new in this regard. The context should make it clear: “how r u,” he texted; “ha ha Daddy I can’t believe you use ‘r u,’” she replied.”

Again, awful.

That’s why they’re editors and not writers. And that’s why it’s a manual of style as opposed to rules. Styles change. This will evolve into a standard in a year or two and that’s when CMOS will adopt what we’re doing now. You may need it in 30 days; I need it a few months later. We’ll be the ones who decide what the standard is, along with a bunch of YA authors who are trying to figure it out as we speak.

The most useful is what we’re trying, a combination of tags, beats, and italics – and consistency. Teach you reader what a text conversation looks like. EVERY example I’ve found has reasons why it’s confusing.

Allison needed to do it in her book The Fourth Descendant. “For the record, I used italics with beats in Descendant and no one has fussed about it.” – Allison.

Here are her examples.

Ten minutes after they’d left the park, they arrived at Anna’s house, and Michelle stole away to the bathroom to type a response to Damien. That’s so great! She sighed.

His message came a minute later. Yeah. It’s a relief.

She wiggled her thumbs over the keys, contemplating what to say when another text appeared.

Jonah’s heading to Virginia on the tenth.

It was about time someone talked about that. Jonah had said he’d arrange for the rafting trip to happen in June, and June was just three days away. She typed a response. Okay. Are you going?

I think so.

After a short pause, another text appeared. Are you?

She swallowed. She wanted more than anything to spend a week on the river with Damien, but she needed to figure out how to make it work. Not sure. I’ll text you tonight. Congrats on your project.

She flushed the toilet and washed her hands to give the illusion she was in the bathroom for its intended purpose. Her phone chimed again as she walked back to the kitchen.

Thanks. Looking forward to tonight.

She smiled and deleted his last message.

Another example

“Yeah.” He picked up the small bag that rested by his feet. When his phone chimed and he glanced at the text, he tried to keep from beaming as much as Jonah.

I’ll be able to make it.

He waited until he sat in the back seat of the 4Runner to return the text. I’m so happy to hear that. When do you think you’ll get here?

So it seems we’ve nailed it: Italics, beats and a (hopefully rare) tag when necessary, keeping text conversations short and trying not to do them too frequently.

But the biggest things?

Be consistent in what you do, and you’ll teach your reader to recognize text conversations in your story.

When we get it right, we’ll know.  Now: do we name it like a font, like Arial? In this case… Allison?

Wait! I thought of it first!

Flash Fiction Challenge: Write An Opening Line

head shot
Your humble host

(I totally stole this idea from Chuck Wending. But I’m giving him credit so that makes it okay, right?)

Here’s the deal, Flash Fiction Fans!

Write an opening sentence.

That’s it. Post it below in the comments.

One sentence. Grab me, hook me, scare me, detail a scene, whatever you want. Any genre, murder, romance, you make the call.

The sentence can be any length. Don’t go crazy, and avoid obviously objectionable material – I know you will anyway – but other than that, let your creative juices run wild. Try to make it interesting. Compelling. Grab that reader’s interest – me, in this case. Hook the reader and make them (me) want to read MORE! Show me what ya got!

Then I‘ll select a few for the opening of a short story challenge for the following week.

You’ll get to choose one to start a new piece of flash fiction.

Sound fun?

Ready, set, go!






Interview With Author Rachael Ritchey

head shot
Your humble host

Author and friend of the blog Rachael Ritchie is an enthusiastic writer who has spared a few moments from her day to sit down with us.

It’s her birthday, by the way, so she’s giving readers a special offer. (Be sure to read to the end for that.)

Born and raised in Northern Idaho (with a seven year stint in scenic SE Alaska), Rachael says she drew inspiration from the picturesque places she grew up for imagining the fantasy world she creates in her books. 

She writes stories she’s proud to share with her kids and you. While her goal is to entertain, she also wants to use her writing to inspire courage and compassion.

But as we’ll see, she’s a LOT more fun than her bio suggests!


Dan: Let’s start with the basics. Everybody wants to talk about their new book, so: what is the working title of your next book?

00 rachael 1
Author Rachael Ritchie, in a star child type moment.

Rachael: The Treasonous. It’s working and staying. I’ll not be changing that one. I just adore it.

I like it! Where did the idea come from for the book?

From the characters. No wait. That sounds loony. It is a well orchestrated continuation of a subplot. Yeah, that’s it. It has nothing to do with all the voices in my head.

Ever think about just Treasonous? That’s got potential.

Yes, yes it does. Okay, I’ll consider it. Though the ‘the’ might help convey a particular meaning.

You are putting a lot of pressure on “the”

Hmm…this will take some serious thought. I may need to mull it over a glass of wine.

Speaking of wine, which is the more important of these two: write drunk, edit sober?

I fall asleep after one glass of wine, so editing sober is good.

One glass! Cheap date. We have a two drink minimum here, by the way. And while I get you that, is there a Mr. Ritchey? Just kidding. How long did it take you to write the first draft of the manuscript? And I’ll assume you weren’t drinking when you wrote it.

Uh…still writing it. First draft of the first one was about four months, though.

Four months is the golden rule for first drafts. What about actors? Who would you choose to play the part of your characters in a movie rendition?

No clue. I’m hoping some readers can help me out here! I’m totally picturing a movie deal, though, so get crackin’ on a great list of actors to pick from.

Which living author or blogger would you buy drinks for?

Dan Alatorre. Duh.

But just one, right?

Oh, no. I’d buy enough to make sure you divulge all your deepest darkest secrets and any supremely special writing advice you save for your inner circles.

That might take more than two drinks. Aside from your lack of alcohol tolerance, what makes you so damn interesting anyway?

00 rachael 6.jpg
Looks like it was a real show.

I could lie, but…well, I’ll go ahead and fib a little. I am a jack-of-all-trades, like the Pretender but a girl. You saw that show back in the early 2000s, right?

Nope. Never saw it. Maybe I was busy drinking.

You are missing out. That’s all I gotta say. Man, I loved that show. The fib part of this is that I’m not perfect at everything I do. I do like to try my hand a lot of different things, like building decks, remodeling bathrooms, drawing realistic sketches, and such. I’m just not amazing at all of them like the dude in Pretender would be.

Well, so you aren’t amazing at 1000 things like a pretend guy on TV. Instead, you get to be amazing at being an author – and my favorite kind, an indie author. What is the best part about being an indie author for you?

I love being indie! The best part about it is I’m a control freak, and it feeds my inner perfectionist. You think that’s a joke? Haha No, you believe it with every fiber of your being.

I do. I absolutely believe you.

You are wise to do so. I should pause here for dramatic effect. I can be quite intimidating. Just ask my kids. Of course, I’m also my own worst critic and strive to continually improve my work.

That must make it hard to negotiate a raise.

You could say that. But, the small successes along the way definitely make it worth it.

I love being indie! The best part about it is I’m a control freak, and it feeds my inner perfectionist. You think that’s a joke? Haha No, you believe it with every fiber of your being.

What’s something most readers would never guess about you?

That I’m a complete ham and love to laugh.

That’s a very admirable quality. It’s hard to make me laugh; I don’t know why. But I think it’s great when other people laugh easily. Do you use that in your work?

I wish it were as easy to make other people laugh. I might look at it as a personal challenge to make you laugh some day. I wonder what your humor weakness is. I’m terrible at writing humor, but I’m great at laughing at myself and having a good time. It’s good to see the humor in life.

I agree. There are funny things everywhere if you know how to look.

Besides writing, what are your favorite things to do?

00 rachael 5
Rachael’s recent deck project.

Read out loud, do laundry, sketch, clean the bathroom, hike, wash dishes, hang out with my kids, mop, travel (not that I ever get to do this), go to the doctor…this list might be partially false.

I won’t ask which parts, even though I’m curious. Why do you think some authors sell well and others don’t?

Popularity of genre. Hard work. Making connections. Good marketing skills. A recognizable brand. Just being memorable. Offering something of value. Tenacious will to succeed. Then on the flip side: expecting everyone to come to them. Not making connections. Not having a clear genre or marketing. Unable to offer something of value. It’s so hard to really know for sure what makes one successful and another not when you see two people do the exact same thing, but only one finds success. There are sooo many more factors that play into the scenario.

I think you’re right, there’s a lot of hard work and a little luck, but success favors the tenacious.


 What’s the strangest place you’ve gotten a great story idea? Describe it in detail. Inquiring minds want to know!

Okay, it’s not strange, but it’s the strangest story I can think of at the moment.

That will work.

I was sitting on the couch texting with my mom about my lovely grandma. Grammy’s nose was leaking brain fluid out a pin-sized hole in the lining (for realz).

Maybe I shouldn’t have asked for you to describe it in detail…

That’s what editing is for. J Don’t worry, I won’t get too gruesome. They’ve repaired the hole where it had worn thin, but talking about it got me to thinking about a story.

I’m gonna go get another drink; you keep talking about the brain leak. I can hear you from over there.

00 rachael 4Grab me one while you’re at it. Purely in author-mode, I got to thinking what if it was actually some kind of brain-lining eating bio weapon that had been released into the atmosphere (or water or something) for some nefarious purpose? What if some anti govt or even a govt agency was the perpetrator? That’s just a scratch-the-surface sort of start to a story like that and probably not one I’d write, though I thought it had potential. It doesn’t really fit the genre I am currently writing in.

That was probably the most unique thing I’ve ever heard – and the most horrible. I envision nightmares for my readers. (Sorry, gang.) Let’s change gears. Can you wash light and dark clothes together?

Can I? Yes. Should I? Probably not, but our water is so hard here it doesn’t seem to make a difference. Water softener doesn’t even remove the gray tint of my whites.

Have you ever turned a bunch of stuff pink in the washer? I can’t recall ever having turned a load pink, but I have covered everything in purple crayon. I didn’t put the crayon in the pocket, though! I swear I was framed.

I found a lipstick in the dryer once. Aaaaaall over the dryer. I decided to mow the lawn and let my wife “find” it.

I can’t help but laugh! How’d that go for you? I bet she was THRILLED to discover it.

Well, it’s not like it was my lipstick.

Melted crayon is just as fun as lipstick in the dryer.

“Melted crayon is just as fun as lipstick in the dryer.”

I have a five year old, so that’s coming, I just know it. How does the crayon-in-the-dryer episode of Pretender end?

The best (read worst) part is that it hardens on the surface and adheres with terrible vehemence. See, I almost feel like it has a life of its own, crayon is so tenacious.

 I’ll be sure to mow the lawn that day, too.

 What “person” do you like to write in? First Person, Third Person, etc. – and why?

Third person, usually. I suppose it’s because I don’t love books written in first person.

I find books written in first person kind of hard to read. I’m critiquing one for a New York Times Bestselling Author and every chapter jars me. I see, I get, I run. It’s awkward to me. Especially since the MC is a 17-year old girl and I’m reading about “my skirt” or “the safety pin holding my bra closed” or whatever.

Ha ha, I’m imagining you dealing with those issues, and it’s too good not to laugh a little again. Of course, it’s difficult to get into a real seventeen-year-old girl’s head. I should know. I was one. When it comes to books, though, I would rather feel and see things from a slightly distanced perspective. It gives me more freedom to use my own empathetic tendencies without being told by the author how I should feel as the character. Does that even make sense?

It makes complete sense.

Of course, that seems to influence the tone I enjoy writing in as well.

00 rachael 2.jpgSpeaking of enjoying things, I hear you have some very exciting news! Can you share it with us?

Um…no. haha

Spoilsport. Tell us about your blog, then. How did that start?

It started for several reasons, but basically because I used to write long “notes” on Facebook. I’d hear quite regularly, “you should start a blog.”

I did that, too! I think a lot of us did back in the day.

But I was thinking, man, wouldn’t that be pretentious of me?

I totally get that. I felt the same way when people said it to me. My blog probably cut years off my learning curve as an author, and helped me develop a thick skin for criticism because you could see the Facebook posts do well or not based on comments. So you resisted blogging…

That’s so true! I hadn’t considered it that way at the time, but then I became a writer and thought, I really should have a blog. But I’m only a little pretentious. Promise.

We’re writers. We have to be a little pretentious.

How do you decide on a title for your book?

I feel it. No. Just kidding. Titles are one of my favorite parts.

00 rachael 3.jpgReally? Most authors find it difficult.

I like naming things. I like giving drive and purpose with a name. All our names mean something, or at least they did until we started making up names just ‘cause we liked how it sounded at the time. Book names and character names are kinda the same. I decide by thinking about the overall plot and theme of a book. For the books I write, a title needs to be fairly short and somewhat catchy. The Treasonous is the first one not to sound too girly, though. Haha

Not at all! What about editing? How has you experience with editors been? Feel free to name names if you like your editor.

I love my editor, Susan Hughes. She’s tough, but seems to “get” me and my voice. She works so hard to clean up my prose without changing my meaning or intent. I’ve loved every bit of our working relationship.

That’s awesome. What inspires you?

People. Real people who love and sacrifice for the sheer purpose of caring for another. I’m totally inspired by acts of goodness in the face of hardship and evil.

Most writers are a bit shy. Is that how your friends would describe you (shy), or do you have your readers fooled?

Snobby (but in the stronger vernacular) is how I’ve sometimes been described.

Really? That’s… not great, probably.

It’s usually phrased:

“Rachael, I thought you were a b&#@h until I got to know you . . . .”

I think you get the idea.

Yeah, I hear that myself on occasion. It takes us authors a while to open up sometimes.

I really don’t mean to be so aloof, but shy is probably the best way to describe it. I can’t seem to open my mouth without sounding like an idiot, which I really don’t think I am. This makes it nerve-racking to talk, especially to people I barely know. But once I’m fairly certain you won’t go running the other direction, then I open up like a fake can of peanut brittle.

Well, you’ve never struck me as an idiot! And I like your sense of humor and go-getter attitude.

Thanks, Dan! That means a lot. And thanks for letting me come on your blog. You’re a fun guy to chat with, and you serve great drinks. Plus, I find your blog helpful and encouraging, so it’s been a real treat to be here.

Rachael’s Links:

my blog: http://www.rachaelritchey.com

Facebook: http://www.facebook.com/writingraci/

Twitter: http://www.twitter.com/rachaelritchey

Goodreads: http://www.goodreads.com/author/show/13513799.Rachael_Ritchey

Amazon Author Page: http://www.amazon.com/Rachael-Ritchey/e/B00U6GS07I/ref=sr_ntt_srch_lnk_1?qid=1454977910&sr=8-1

The Beauty Thief is the first book in Rachael’s YA series called Chronicles of the Twelve Realms. While she considers the books fantasy because of some of the elements of the stories, they read more like historical fiction. Book two is on its way to completion. She also has a middle grade book started that she hopes to find time to finish, too!


“I’m going to make both ebooks free on my birthday (Feb 25) on Smashwords, which will effect BN, iBooks, Kobo, and some others…whoever carries Smashwords titles. They won’t be free on Kindle, though. I can only discount them to 99c each.”
There you have it, folks! Grab Rachael’s books during this special promo offer – and be sure to leave a nice review!

These are for The Beauty ThiefBarnes & Noble — Smashwords — Kobo — iBook/iTunes Apple

These are for Captive HopeSmashwords – Barnes & Noble – Kobo – Apple iBooks/iTunes


Robin Leigh Morgan On Changing Genres, a reblog from Kristina Stanley

head shot
Your humble host

I’m a big fan of Kristina’s blog and I always enjoy when she has a particularly insightful guest.

Recently she had a guest post by Robin Leigh Morgan about the differences encountered when an author changes their writing genre.

Robin’s challenges going from nonfiction to fiction were the same as mine, and the idea of publishing a collection of short stories and flash fiction pieces is absolutely brilliant.

It’s great stuff, so enjoy.


From Kristina Stanley’s blog

00 ks 1.jpg

Author, book reviewer, and blogger,  Robin Leigh Morgan joins us today to discuss changing genres. Robin is a member of the RWA [Romance Writers of America] and the SCBWI [Society of Children’s Book Writers and Illustrators].

CHANGING GENRES by Robin Leigh Morgan

Some of us who have chosen to write fiction come from a variety of places. And by “a variety of places,” I’m not referring to a physical location; I’m referring to our writing experiences.

There are some of us who have enjoyed writing since we were children, and each year, by writing something in school, it improved. For some of us, it continued until we graduated college and began working. Some of us entered the work force taking jobs, which required us to write, whether it was procedures, handbooks/manuals, or news stories. But all of these are non-fiction, and each one has a set of “rules” that need to be followed to write something well enough to be acceptable.

As for myself, while my regular job did not require me to write, for eleven years I wrote articles [commentaries/viewpoints] of what was happening in my community and my feelings about it. When I started to write these items, my writing skills were not honed. I didn’t have my ideas organized in a tight manner, although my writing had been informative. By the time I’d written my last item, I’d become quite adept at it.

making the transition from non-fiction to fiction, I’ve had to learn a new set of rules on how to write. Most of these involved dialogue, showing not telling…

When I started to write fiction, I somehow drifted to writing a contemporary romance story with a paranormal element running through the storyline, but after almost 9 years I still hadn’t completed it. That is, until someone suggested I should try writing for a much younger audience, which is what I did; cumulating in my first YA Paranormal/Time Travel/First Kiss romance novel entitled I Kissed a Ghost.

I had to learn not to be overly descriptive of something, but allow my reader to create the image for themselves in their minds.

Anyway, making the transition from non-fiction to fiction, I’ve had to learn a new set of rules on how to write. Most of these involved dialogue, showing not telling, where before I just told. I now had to learn about the use of tags. I had to learn not to be overly descriptive of something, but allow my reader to create the image for themselves in their minds. In the beginning I found it hard to break my old writing habits. Now I’m finding myself with these habits essentially gone. The biggest issue I still have and am trying to get a good handle on, is POV [Point of View]. Regardless of what’s happening or being said it has to be in one character’s perspective, and you can’t flip-flop between two characters within a scene. There needs to be a transition from one character to another.

Click HERE to enjoy the rest of the post and Robin’s amazing insights.



Agent Query: How To Shift From “Telling” To “Selling”

head shot
Your humble host

My friend Molli Nickell, a veteran of the publishing world with over 30 years experience in the big leagues, drops by to impart a few nuggets for those of you pursuing the traditional publishing route, but there is wisdom in her words for indies, too.

Writers: your query AND your blurb need to SELL your product.

That’s a whole different skill set than writing a story.

Here’s Molli.


Dear Writer,

What prevents writers from becoming published authors? The culprit is the query letter. Arrgh! I understand the challenge, which is why I sent you a link to my Query Letter template on February 7. Use it to help you figure out what you need to put where in your query and why.

writers, including you, don’t give yourself enough credit for what you’ve accomplished (or are accomplishing)

It seems to me that writers, including you, don’t give yourself enough credit for what you’ve accomplished (or are accomplishing) as you work your way through your novel or non-fiction project. At some point, every one of you voluntarily jumped onto the story-teller learning curve. You took classes, read how-to-write books, attended writers’ conferences, and studied with critique groups as you expanded your skills.

And then, you edited and polished your manuscript as you prepared to share it with the world. Wowzer! You discovered dozens upon dozens of virtual outlets where books and articles and blogs and magazines, could be shared in digital form and free. And of course, lurking in the background, was the option to go through the intense learning curve called “self-publishing.” (More about that in another post).

Despite this plethora of opportunity to share your work for free, most of you want to become traditionally published. Your book would become proof positive of the path you’d traveled from initial concept to finished manuscript. You want that author business card, with your name and then name of your partner, the publishing company that took a chance on you and produced your manuscript into a book.

My experience continues to be that most writers want the traditional experience. And, the one thing that blocks most of them is the ability to write an effective query letter. I’ve heard it said (whine!whine!whine!) that writing a 350-word query letter is more challenging that writing an entire 75,000-word book. I understand this feeling.

shift your mindset from “telling” to “selling.”

The query is difficult because it requires you to think differently. To shift your mindset from “telling” to “selling.” I’ve never met a writer who could do this effortlessly, who could just plop down in a chair and “whip” out a query. It doesn’t happen. For everyone, regardless of skill level, writing a query takes a certain amount of practice and the patience to revise, revise, and revise, through several drafts. Eventually, writers who are determined to master the query, do it.

practice even when your manuscript is in rough draft format

Hint: It’s never too early to begin learning how to write a query letter. I suggest you begin to practice even when your manuscript is in rough draft format. You know your story. You have the format, so what’cha’ waiting for?

Maybe more guidance.

Good news. More detailed query letter “how to” is posted on my website. Here’s the link. Take a look and get going.

Molli Nickell

May the words be with you.

Molli Nickell, the Publishing Wizard


(email) getpublishednow.biz@gmail.com

During Molli’s 30+ years in the biz, she’s been associated with the big players including

00 milli assocs.jpg

Want more great articles like this? SUBSCRIBE TO MY EMAIL LIST! Get a FREE copy of “25 Great eBook Marketing Tips You Wish You Knew,” FIRST SHOT at new stories, and exclusive behind the scenes access!

head shot
Your humble host

REBLOG me! And please SHARE this post on Facebook and Twitter! See those little buttons down below? Put on your glasses. There they are. Click them. The FOLLOW button is now in the lower right hand corner.

Dan Alatorre is the author of several bestsellers and the amazingly great upcoming sci fi action thriller “The Navigators.” Click HERE to check out his other works.